Tassneem A
Poetry, Some Other Time
In another world,
I travel back
to the black-soil land
whose clay I’m made of
My soul settles in tending
to the saplings
and befriending the hoopoes
and the doves
I pick figs
ripe on their trees
and savor them
In another world,
I put out a loaf
for the visiting songbirds
and don’t gorge myself
on slivers of peace
The teapot is full,
our families’ laughter evergreen
And the crows no longer caw
Poetry, Swallow’s Sky
[I] The shock
sneaking, all day,
up your spirit
The recognition of
the soul before
the mind
Yet when it slams
into you, it
bruises
[I. a.] The sleep deprivation
(this will follow you)—
old room, twin beds
with sloping mattresses
like upside-down hills
The sleep comes in fits,
You think of hope
of miracles
Tomorrow
is always brighter the night before
[II]Death of the feet
creeping up slow,
infinitesimal. You think it’s the chemo
Isn’t that what the doctors blame everything on?
Rolled sleeves, your hand on her back
Move like a puppet when instructed
Hands full with her elbow, a frail forearm,
incapable of holding awkwardness or feeling—
only this steadying force
[III] Car ride
Creeps the death
up the thighs so the body doesn’t run
A fussy breath is
better than none
The dim flicker dances,
that leftover childish belief of
the hospital will help
[IV] The hospital
Beige, white-lit corridors.
Hushed. We can’t.
Pain management?
Mother and kin
holding, held
in reverse
[IV. a.] Maybe tomorrow
will find a way
[V] The slow sneak
beneath hopeful veneer of delusion
clogs your throat; you can only
breathe on the phone
Tell me, habibti.
Fight for evenness.
She…She’s not
Aware. Not really.
[VI] Sister’s new home
A first visit
So many new things on this dismal trip
A hot shower on the 4th of January
then the frigid, desert wind of Cairo cliffs slapping you
Water rejuvenates, and tomorrow
you’ll be there and sit with her, travel extended,
shifts decided
Dinner is baladi bread and za’atar steeped in olive oil, sips of water
Hospitals have a way
of dulling gnawing stomachs
[VII] First phone call, the son
Her heart, khalto
Background noise. Hold.
Don’t panic. They’ll bring her back.
…
She’s back! She’s back.
[VIII] Breathing. Unsure, still dinner
Second phone call descends
like a raptor
…Didn’t I—a shaky breath—didn’t I tell you…
T’eishy enty
[VIII. a.] You watch your mother,
but she’s the sister
and you don’t know how to comfort a sister
not in grief
and you worry for your mother
because she is yours
and your cousins just
lost theirs
[IX] Shock slams. Abates. Slams.
The morgue and the washing—the split second before the last look, you
think your legs
won’t hold you up—and the buttery dawn light swirling the dust mites
in front of your face amidst the large swathes of Cairo roads
and the mosque, the basement bathroom, and the terrible hollow ache
of something that once was and now isn’t, and—
Your grandfather’s grave
right across hers
You, too young a witness then, but not now,
and the grief pours into
and out of you
in its adult form
[X] In sleep,
you see her face,
wake up with the imprint
of her soft hand in yours,
the echo of her voice,
that question, the plea, still ringing
When will we go home?
[XI] Funeral
Shake hands, swallow others’ waterfalls
blink at the sky when
the water begins to seep
through crevices
hug her twin—your aunt
Somehow, this departure has made everyone hers
[XII] The Blur
of hotels and a seaside apartment from childhood
steeped in bittersweet reunion and graveyard incense
The Alexandrian streets are hers too
The airport sparks your nerves, like a severing
Going back, leaving the land—leaving her?
There’s white noise between your ears every time you try to sleep
Hold another wake, wear white
[XIII] Dream of her
White noise smooths over
[XIV] Return
to life
millimeter by millimeter
[XIV. a.] Watch TV
A funeral
The character weeps
Weep too, feel the ache
take root again
It’s only ever lay dormant
[XV] No one warns you
that when a swallow
takes its last dive
it takes a bit of the sky
with it.
Tassneem Abdulwahab is a writer, artist, editor, and book reviewer. With a strong interest in culture, history, and psychology, her writing and art often spotlight one or more of these threads. She earned her BA (Hons) Creative and Professional Writing from UWE Bristol and has been in love with publishing ever since. In her free time, you might find her buying more editions of Little Women, experimenting with new artistic mediums, or drinking tea. You can read more of her writing on her Substack.